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艺术家 | Artist
梁群 | Liang Qun
策展人 | Curator
苏三 | Susan Li
学术指导 | Academic Advisor
林松 | Lin Song
展期 | Duration
2024.1.27 – 3.10
引言
艺术家梁群的「春有百花」系列油画,是其代表作品系列之一。在油画媒介下,她将东西方视觉哲学和诗意的领略,发挥到极致。2020年,她开始尝试纸本设色,试图将东西方艺术形态的融合,在东方“主场”的媒介下,进行全新的尝试和探索。
梁群的创作方式如同写诗,大部分创作时甚至没有画面的腹稿,而是纯粹的即兴。在面对空白的画纸时,她充分发挥墨彩晕染的自由性,运用天然的色彩直觉,构建一幅幅浪漫的画面。在全新的纸本系列作品中,她试图将油画技法与传统材料的特质结合,不断进行创作实验。
发乎自然的创作,如同梁群本人的面貌一般,时而热烈,时而优雅,时而充满童趣。她的创作语言既不受困于抽象表现主义,也没有走上符号化的道路。在写意与写实之间,她继续保有独特的热烈和淳朴,不断尝新创造,在纸上开出新的繁花。
苏三
Artist Liang Qun's "Spring with Flowers" series of oil paintings is one of his representative works. Under the oil painting medium, she gave full play to the visual philosophy and poetic understanding of the East and the West. In 2020, she began to try paper coloring, trying to integrate the art forms of the East and the West, and make a new attempt and exploration under the media of the "home court" of the East.Liang Qun's creation method is like writing poetry. Most of the creations do not even have a manuscript of the picture, but pure improvisation. In the face of blank drawing paper, she gave full play to the freedom of ink dyeing and used natural color intuition to build a romantic picture. In the new paper series,she tries to combine oil painting techniques with the characteristics of traditional materials and constantly carry out creative experiments.The natural creation,like Liang Qun's own face,is sometimes warm, sometimes elegant,and sometimes full of childlike fun.Her creative language is neither trapped in abstract expressionism nor on the road of symbolization.Between freehand and realism,she continues to maintain her unique enthusiasm and simplicity,constantly tasting new creations,and blooming new flowers on paper.
Susan Li
展览现场


艺术家部分作品

春有百花No.17
Hundred Flowers in Spring No.17
纸本设色
Ink Colour on Paper
50 X 50 cm

春有百花No.18
Hundred Flowers in Spring No.18
纸本设色
Ink Colour on Paper
50 X 50 cm

春有百花No.19
Hundred Flowers in Spring No.19
纸本设色
Ink Colour on Paper
50 X 50 cm
艺术家简介

梁群
中国女性油画家
1961年出生于大连市,成长于绘画世家。梁群早期的油画,以其生活的城市大连的风景居多。她的画与这座老城一样,显得较为洋气且也故旧,优雅的色调,斑驳的色块,碓砌出的街道楼房,散发着陈迹的气息,透着故里温馨的民情。整体面貌基本延续了学院派的传统形式风格,在绘画技法的表现上有着驾轻就熟的描绘能力。2003年,她的油画作品入选第三届中国油画展并在中国美术馆展出。同年,梁群游学欧洲。更加开阔的视野,给她的艺术创作也带来了全新的突破。梁群绘画语言图式的变换,更是绘画观念的更迭。解脱了“形”的束缚,她那无所顾忌的大红大绿和黑、黄配伍的用色,以及粗放的笔致,一改那优雅、沉郁的灰调,以明快、艳丽呼应着民间喜庆的审美理念让画面焕然一新。如果说,她的“老城”画,是西洋弦乐,那么“春有百花”就是融进民乐的因素组成了中西和谐的协奏。2009年,梁群移居北京宋庄,随后建立群艺术中心。梁群走进了宋庄,也彻底走入了自己的精神世界。她用表现性的大笔触,强烈鲜艳的色彩,夸张变形的自由写意,描绘着一幅幅激情勃发的抽象花卉作品。梁群的艺术态度是对自然主义的致敬,亦是人对自然万物艺术形式的开放表达。
艺术家自述:我的绘画是“未知”与“有知”的各种意向,在“有”与“无”中寻找,靠直观的阅读及心灵的触摸走进它,洞见,然后接受冥冥的光。
Liang QunFamous female oil painterBorn in Dalian in 1961, She grew up in a family of painters.Most of Liang Qun's early oil paintings were of the scenery of Dalian, the city where she lived. Her paintings, like the old city, appear relatively foreign-style and old-fashioned, with elegant tones, mottled color blocks, and streets and buildings made of brickwork, exuding an atmosphere of antiquity and revealing the warm sentiments of her hometown. The overall appearance basically continues the traditional formal style of the academic school, and she has a proficient depiction ability in the expression of painting techniques.In 2003, her oil paintings were selected into the Third China Oil Painting Exhibition and exhibited at the National Art Museum of China.In the same year, Liang Qun traveled to Europe to study, which broadened her horizons and brought new breakthroughs to her artistic creation. The transformation of Liang Qun's painting language schema is also a change of painting concepts. Freed from the shackles of "form", her unscrupulous use of red, green, black, and yellow colors, as well as her extensive brushwork, changed the elegant and melancholy gray tones, echoing the festive folk mood with bright and gorgeous colors. The aesthetic concept gives the picture a completely new look. If her "Old City" painting is composed of Western string music, then "Hundred Flowers in Spring" incorporates elements of folk music to form a harmonious concerto between China and the West.In 2009, Liang Qun moved to Songzhuang, Beijing, and subsequently established the Qun Art Center.
Liang Qun walked into Songzhuang and completely entered her own spiritual world. She uses expressive large brush strokes, strong and bright colors, and exaggerated and deformed freehand to depict passionate abstract flower works. Liang Qun's artistic attitude is a tribute to naturalism and an open expression of man's art form towards all things in nature.
The artist said:
My paintings are various intentions of "unknown" and "knowing". I look for them in "there" and "nothing", walk into it by intuitive reading and touching the soul, and then accept the light of the dark.
主要艺术活动:
2023年【时空折叠】中国当代艺术史的非线叙事
2021年【源 流】中国当代绘画展 韩国
2021年【观】中国当代绘画展 俄罗斯
2020年【脈】中国当代绘画展 日本
2019年 消废时代——8+1文献展2019年【当代油画】夏至——当代艺术展2018年 美国洛杉矶艺术博览会2017年【当代油画】红——女性艺术家展
2016年“宋庄当代艺术文献馆 ”新年特展
2013年 第二届中国女美术家作品邀请展
2010年 中国世纪女性艺术大展2007年 日本东京 “中国当代艺术展〞
2006年 艺术北京
2005年 大连天兴罗斯福梁群个展
2004年 上海春季艺术沙龙
2004年 新加坡亚洲艺术年展ARTSingapore2004
2003年 中国第三届油画大展
本次展览将于1.27-3.10期间呈现
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一 个 画 廊 ONEART GALLERY
展览开放时间 | Gallery Hours
周二至周日 | Tue-Sun
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